My work explores personal memory and perception through the material language of painting and glass. I am interested in how images shift when filtered through transparency, reflection, and light.

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By reimagining the act of viewing a painting, glass becomes both surface and threshold. a mediator through which image and perception continuously transform. The viewer does not simply look at the work but encounters it through reflection, layering, and spatial depth.

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In my practice, I combine found imagery with my own drawings, re-contextualizing these fragments into new visual narratives. The final drawing is placed beneath glass and transferred using relief outliner paint, creating a tactile contour that both separates and connects image and surface.

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Color, tone, and texture emerge through improvisation. This intuitive process allows freedom within structure, where control and unpredictability coexist.

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Through transparency and reflection, my work invites viewers to consider how meaning forms in the space between material, image, time, and their own presence.